Monday, July 25, 2011

Midterm Exam - A Breakthrough Performance by an Artist

Writing Assignment: 

Watch the video clip of Michael Jackson performing a breakthrough version of Billie Jean for the 1983 Motown Records 25th Anniversary Special. 


 Name an artist whom you know something about—or would like to learn more about—who has had a breakthrough performance in their career.  

My Response:
 
Chris Brown’s Breakthrough Performance

Link to Chris Brown's
Michael Jackson Tribute June 27, 2010
It’s funny, but I can remember sitting in front of the television that Friday night of March 25, 1983 at the age of 12 years old.  Everyone had been talking about the “Motown 25 Special” for days prior and the same would be said about the days after.  Sure it was due to all the great acts that hit the stage that evening, but Michael Jackson would be the performer to go down in history that evening.  Jackson took the stage with his brothers to perform some of their greatest hits as the Jackson 5, bringing everyone to their feet.  Then he made history with his breakthrough solo performance of “Billie Jean” that would help Jackson emerge as the “The King of Pop” in the opinion of most critics and audiences alike.  He would continue from here to be the poster child in highbrow as well as lowbrow pop music culture for many years to come from the streets of Detroit, to the suburban areas of Nebraska as well as overseas. 

So now asked to find another performance cite another breakthrough performance, I knew that using Chris Brown’s Tribute to Michael Jackson performed at the BET Awards, on June 27, 2010 was the perfect choice.  Now even after a year from the date the world received shocking news of Michael’s passing on June 25, 2009, the world could still hardly believe that we would no longer have his talent on Earth.  Many tributes, references and samplings were seen over the course of that year, but none would be as memorable and authentic as the assemblage of some of Jackson’s greatest hits and dance moves with a little bit of personal flair from Chris Brown given that night. This performance will be recorded in history as being one of his best – if not the best - performance as he invites audience viewers to partake in a personal glimpse of his soul.  



The singer would start behind a large white curtain showing a silhouette of Michael’s signature pose and enter singing, “The Way You Make Me Feel”.  Audience members, young and old alike, rose to their feet realizing that person was Chris Brown.  Dressed similar to Michael’s video for the song, Brown sang a verse of the song lyrics with ease bringing audience excitement and anticipation as to what would come next. 

Brown was then joined onstage by some of Michael’s personal background dancers to perform two perfectly choreographed replicas of the Jackson's dance moves in the hits, “Do You Remember the Time” and “Smooth Criminal”. 

While backup dancers continued dancing, Brown disappeared to make a quick wardrobe change returning in a top hat and sequined jacket, socks and glove to the music of “Billie Jean” posing eerily similarly to Jackson showing on a video behind him.  The crowd went wild! 




Chris Brown replicated Michael’s signature dance moves from his live Billie Jean performance with sheer perfection with the right leg kick, to the gyrating side to side hip movement and bounce, to the infamous “grabbing of the groin” and of course the moonwalk with unbelievable simplicity!  Visuals of Michael filled the stage’s background of him through the years and for audience members like me ranging in the ages of 35-50, it took us back to that special moment 27 years ago, as well as gave younger audience members a taste of what Michael meant to many as one of the world’s greatest performers.  Chris Brown successfully embodied the BEST of Michael Jackson at that moment and those who saw it would all agree.  This performance would label Brown as a force to be reckoned with in the current pop-arena once again after his own personal (somewhat forced) year-long hiatus.  To end Brown’s performance here would have been MORE than enough to label it as a memorable breakthrough act, but he doesn’t stop there. 

The stage goes dark again at Brown strikes an ending pose and there is a moment of silence as the audience cheers.  After the pause, we hear the musical interlude to Jackson’s famous hit “Man in the Mirror” while viewing stirring background images from Hurricane Katrina, the Haiti earthquake, the Gulf Oil Spill and more.  What we thought we would be another rendition of Jackson’s famous hit turned into something much more.  As the music softens, Brown slightly sings the first line, “Gonna make a change for once in my life” in a shaky / emotional voice but becomes overwhelmed with emotion and begins to cry.  He attempts several times continue but to no avail before bursting into the “ugly cry” as Oprah Winfrey has become famous for saying and is unable to finish the song as the music continues.  Although, we don’t hear him sing, we are able to FEEL the authenticity of the lyrics and Brown’s voice stronger than any vocal he had ever performed including those just a few moments earlier.  The song continues with Brown pacing the floor, listening and “feeling” the lyrics with audience members either helping him sing or watching in awe and raw emotion in tandem.  
As I’ve said, to end his performance at “Billie Jean” would have elevated Brown to breakthrough performance status.  As he seemed to effortlessly embody the very essence of Michael Jackson, audience members wondered could he be the next “to take the throne” as the reigning King of Pop?   BUT the FINAL selection DEFINTIELY sealed it for me along with audience and critics as a performance none could ever forget as we all caught a rare glimpse of the personal and vulnerable side of Chris Brown weeping on stage to the lyrics of, “Man in the Mirror.”  
What could make the singer so emotional on stage many would ask?  Could it be that he was overtaken with the grief and realization of the loss such a tremendous pop icon as Michael Jackson?  Brown had been noted for saying in many interviews throughout the years that Jackson was his ultimate idol and inspiration. 

Or could it be due to Brown’s inner battles with HIS own “Man in the Mirror” sited in relation to his very public court arrest and trial for domestic violence involving his long-time girlfriend at the time, singer Rihanna just a year earlier on February 8, 2009?  After that day, the public took a very different opinion of Chris Brown in a negative way as we watched him drop out of the social graces of fans, media and financial sponsors alike. 

Or lastly, could it just be a public relation stunt to help re-elevate Brown into mainstream pop audience’s acceptance after falling so far from grace?  Many turned their backs on Brown in disgust and in support of law against domestic violence including other artists and public figures who had once claimed to be his friend and lover of his music. Brown had spent the past year in seclusion continuously apologizing and trying to rebuild him.  Could this “planned” emotional moment be what he needed to show us in order to be forgiven?  
The debate over what brought him to such a state quickly became the topic of conversation immediately after the performance and for weeks to come. (Here is a just a sample.)   The media and the public audience gave mixed reviews of empathy and criticism of Brown’s choice of ending song and its contributing factor.  But all seem to agree it was Brown’s ultimate performance and will go down in history.  So what do I think?  It is MY OPINION the strongest argument is that it was moment Brown’s moment of self-reckoning as he publicly reviewed the past 18 months of his life. 

I imagine he wondered how he could have committed the same act of violence he witnessed as a young child done to his mother at the hands of his step-father.  I imagine a film playing in his head of the public arrest, numerous court battles, controversial paparazzi sitings and questionable public interviews, appearances and apologies made to fans after being ostracized and uninvited to many awards shows – including the BET Awards – just one short year ago.  It was AT THAT MOMENT, he realized he had actually overcome his own personal demons and had possibly been welcomed back into the public fold and forgiven for his past bad actions.  
The aesthetics of Brown’s compilation tribute will most definitely go down in history as being one of the best – if not the best – Michael Jackson remembrance performances of all times.  But in tandem, we are able to share a rare personal with Chris Brown as just a man … flaws, bad decisions, mistakes and all. 

Thank you for inviting us into that moment Chris and in the words of Christ,
“Let He Who Is Without Sin Cast The First Stone,” John 8:7.


Tuesday, July 19, 2011

Live Music Review: Chuck Brown "The Godfather of Go-Go"


I’ll start by saying, “I LOVE music”!!  I most definitely love to hear it live and have had the pleasure of attending MANY music festivals and live events thanks to a wonderful mate who loves music just as much.  For the past 3 years, we’ve spent the first weekend in June attending one of our favorite events called the Capital Jazz Festival.  To ensure we get good seats, he buys the tickets more than 9 months in advance as it ALWAYS sells out.  So when he is called to work in IRELAND for 2 weeks during this year’s concert, would it stop me from not attending?  DEFINITELY NOT!!  I couldn’t imagine missing a star-studded event as this so going solo wasn’t even a hesitation.  I packed up, secured a hotel, drove and comfortably attended the Capital Jazz Festival by myself! 

Each year in early June, tens of thousands of music lovers from throughout the country flock to the suburbs of Washington, D.C. to attend this weekend of cool jazz and soul — The Capital Jazz Fest. Started in 1993, this multi-day, multi-stage outdoor music festival, which attracts music lovers from 44 states, is more than just a concert, it's an event! It's a place to people-watch, eat, drink, shop, mingle, relax, soak in the rays, and of course hear some of the coolest music performed by artists whom you won't see anywhere else in the Washington-Baltimore area this summer.

In-between musical sets, enjoy fine art and crafts at the Festival Marketplace, culinary treats at the food court, plus artist workshops and meet & greets.  And after the show, check out the late night after-parties.

The Capital Jazz Fest is held at the Merriweather Post Pavilion in Columbia, Maryland. Located between Washington and Baltimore, in a lovely 40-acre natural wooded setting known as Symphony Woods, Merriweather provides a concert experience like no other. Fest-goers may enjoy the festival up-close and theatre-style in the open-air covered pavilion, or outdoors and picnic-style on the gently-sloping lawn.[1]

The talent showcased on both stages is like no other featuring over 30 well-known international and national artists to local favorites.  To provide continuous music, the festival utilizes two stages set a part by a short walk to the other side of the pavilion.  The main stage is a covered location with the more laid-back jazz artists performing while the outdoor stage is host to more of a local and R&B flair. 


It was here on Sunday’s afternoon set I got to experience DC’s own local artists, Chuck Brown, also known as the “Godfather of Go-Go”.  From the moment this 75 year old dapper dressed man hits the stage dressed from head to toe in a fedora, sunglasses, gold teeth, fine-tailored suit and alligator shoes with his guitar in hand, Brown commands and holds the audience at attention on their feet for the entire hour set!  Joined by a band of 10-12 individuals from the percussions section of drums, bongos, congos and cowbells, to the horn section and keyboardist and backup singers, Brown truly lives up to his name. 

Being in Washington, DC – the home of go-go  made the experience even more memorable.  As every city has its signature sound – house music in Chicago, blues in Memphis, salsa in Miami and the Motown-sound of Detroit, DC is proud to hosts and welcomes Brown with open arms and a standing ovation.  Brown’s developed “go-go sound” is an undertone of continuous synthesis of mid-tempo calypso beats meshed with a rhythmic African / Caribbean flair over the voice of Brown or his on-stage disc-jockey chanting a series of leader-audience followed chants.  The production is lively, immersing an audience so much so you forget you’re at a concert and feel more as if you’re in a basement party or on the dance floor of one of your favorite clubs.  Everyone was one their feat moving, bouncing, nodding their heads and amazingly knew every repetitive call and response lyric repeated from stage to audience participation as if at a tennis match. 

Although, I was first introduced to go-go and Chuck Brown in the early 80s while an on-campus student at UNC, I never felt its power or appreciated the authenticity until I was a part of its DC followers that afternoon.  The way the audience embodied the repetitive percussion beats in movement through song after song was almost indescribable.

Live video I recorded and converted via digital cam. 

Brown and his band led us through a variety of his best music from “I See the Light”, to “Overnight Scenario”, to even a sampling of the “Woody Woodpecker” theme each song exciting the audience more and more.  It was nice to see him comfortable handing over the mic to other band members including his disc-jockey to his next generation of son, Chuck, Jr. and daughter, KK leading the audience in one of his greatest hits, Chuck Baby.

He ended the set with his greatest and most well-known hits, “Bustin’ Loose” which brought the remaining “five” audience members out of the hundreds to their feet as well.  As he left the stage, you could feel the love they had for Chuck Brown and go-go music.  Thanks you DC and Chuck for letting me be a part of it all!  And it’s a promise, by the next Chuck Brown performance, I’ll be able to chant along with everyone else. 

To give you the full effect as my camera pics and vids aren’t as good, here's a links of the go-go experience:

 

Thursday, June 2, 2011

Critical Review - El DeBarge - Second Chance


On June 27, 2010, audience and television viewers of the 2010 BET Awards watched in awe as we witnessed the return of El DeBarge who took center stage after 16 years to perform one of his greatest hits from the 80s and 90s, “Rhythm of the Night”, once performed with his family group, DeBarge.  As cameras scanned the audience, you could see expressions of elation, surprise and even a few tears as we wondered, “Where had he been so long?” and “How could his voice still sound unscathed after more than 15 years?”  The curiosity came not only due to the length of time since his past fame, but also to the fact that during his hiatus, he battled a devastating (and public) drug problem in and out of court arrests which ultimately led to a 2-year prison sentence in 2008 before rehabilitation. 

If you closed your eyes, you could never imagine that he had experienced this because he sounded as good – if not better – all these years later.  After ending the “Rhythm of the Night” ballad, he began to sing another song entitled “Second Chance” that by the end brought fans to their feet in roaring applause.  He smoothly sang the lyrics: 

I have changed, but take the blame
For all the words left unspoken through the pain
I played the game and lost in space
But I have cleansed myself by walking through the rain

So tonight I lay me down to sleep, and pray my soul to keep
In that your love will rescue me for the rest of my life
I live to say good bye to all the promises left behind
Here we are you and I … a second chance

If you listen there's a melody in how you live your life
You can write the song you want to hear and I pray
To live mine, so in the mirror speaks
It tells me you have faced your inner fears and in loving this song.
No, I'm not giving up, I am here to stay ….
A second chance
A second chance
A second chance

A few months later, DeBarge would release his comeback album on November 30th, using this song as the album title /track.  “Second Chance” is a sultry mix of R&B, an easy neo-soul groove and up and down beat tempo ballads throughout the 10-tracks.  He successfully brings back that smooth sound with his angelic falsetto the 30-50 year-old generation like myself had grown to love while also blending in a few melodic up-tempo tracks with a funky beat to attract the younger generation. 

As with the BET Awards, on the surface, El DeBarge’s album drew popularity by serving to be a musical comeback after 16 years of silence.  But the word “comeback” in today’s society is used too loosely in my opinion.  Is it really a comeback when Jay-Z releases a new album less than a year later after vowing not to do another?  Or is it a comeback when Chris Brown appears publically for the first time after domestic violence scandal and arrest to apologize in hopes of redeeming himself to audiences and return to fame?  I think not.  This type of return is surface and the public relation definition.  It’s only when we take the time to evaluate an album, an artist, his work and life can we applaud those like Whitney Houston, Teddy Pendergrass and El DeBarge for truly making a return after adversity, winning and sounding almost vocally undamaged and mentally stronger. 

From the album’s start to finish, it successfully takes listeners on a journey where DeBarge serves as tour guide.  The journey ventures through his life filled with success, love, pain and redemption all intertwined.  In a public appearance he states “these songs are my spiritual memoir, my mental DNA.  … These are great big, huge experiences from personal and business relationships to the house that was lost or the prison sentence served.”  And that is what makes “Second Chance” unique. 

Knowing how important this album was to his career, he invited some of the most seasoned producers such as Ron Fair, Interscope Records Chairman and the album’s executive producer (whose worked with Christina Aguilera, Keyshia Cole, Lady Gaga, etc.), Mike City (… Faith Evans, Jamie Foxx, Brandy, etc.), and Jimmy Jam and Terry Lewis (… worked with EVERYONE) to collaborate and deliver tracks that would have listeners old and young eager to hear more.  Tracks such as “Sad Songs”, “Sexy Lady” and “Close to You” are reminiscent of the El DeBarge many came to love in years past. 

Others like “Lay with You” with Faith Evans (my favorite), “Heaven” and even “Format”, collaboration with 50 Cent, can definitely be pleasing to the ears of a younger audience who may have never listened to him except in the background tracks of rap songs from Tupac and Biggie. 

But the underlying message of “Second Chance” that makes it a hit would be the echoing songs of gratefulness and redemption that have the power move ANY listener.  Listening to “The Other Side” brought me to tears and I actually felt as if I heard the pain in his voice of reflection. 

All in all, there hasn’t been, nor will there ever be, another voice who can emulate that of El DeBarge. He will always be seen as one of the best romantic R&B crooners standing alongside artists such as Al Jarreau, Babyface, and Brian McKnight.  What makes him unique is his ability to add the recognizable falsetto with ranges higher than most female singers that has brought fans – and of course many women - to their knees.  “Second Chance” is labeled as a “must-have iPod addition!!”

I regretfully add El DeBarge’s return was short-lived.  On Valentine's Day of 2011, DeBarge's record label announced that all appearances, including a tour dubbed "Intimacy" have been postponed and that DeBarge had checked himself into a rehabilitation center, having suffered a relapse.[1] My thoughts and prayers are with him. 


[1] Johnson, Bailey, El DeBarge Enters Rehabilitation, Cancels Tour, CBS News, Feb 15, 2011. 

Friday, May 27, 2011

Beyonce Runs (or Steals) the World


May 24, 2011 (Late Evening / Early Morning)

29-year old Beyoncé Knowles has definitely made a name for herself in the past 20+ years.  America first saw her as the lead singer of Destiny’s Child in 1997 under the leadership and management of her father, Matthew Knowles.  The group quickly became one of the world’s most popular girl bands of all time. 

In 2003, she launched a solo career so successful it would lead to an amicable split of the group only a few years later.  As a solo artist, her three released albums, Dangerously in Love, B’Day and I am … Sasha Fierce, have produced over 10 Billboard chart toppers and gained global music recognition from the entertainment industry.  She is one of the most honored artists by the Grammys, and third among female artists,[1] with a total of 16 Grammy Awards[2] – 13 as a solo artist and 3 as a member of Destiny's Child.[3] She also broke the record in 2010 for winning the most awarded female artists by a female in a single night at the 52nd Annual Grammy Awards.[4]

She’s moved passed being referred to as a “triple” threat to a “quadruple” or some even say a quintuple threat as she’s successfully had her hand in singing, songwriting, dancing, acting and fashion design.  There is no question that Beyoncé has that “it” factor and will go down in history as a one of society’s most successful popular artists.

But what do we attribute her success with?  Is it her talent, her management, her drive or a little of all of the above?  I would vote for the latter.  Yes, Beyoncé has a good voice, but in my opinion – not great.  I’ve heard talents with much stronger voices who haven’t been able to achieve her status in twice the amount of time it’s taken her.  Yes, media has attributed and also criticizes part of Knowles success to her father, Mathew Knowles’ hard-hitting, in your face management negotiation style that has pushed her to the top.  But I also believe it to be that “hunger” that makes her want to always keep striving for more that makes her a force to be reckoned with.

So it was only expected that she would give yet another stirring performance at the Billboard Awards and she didn’t disappoint.  Scheduled to receive the Millennium Award from Billboard for musical success, the artists was introduced and praised by numerous artists and family members congratulating her on her success in a short video which was followed by a live performance of her new single, ”Run the World” to then receiving the actual award presented by her mother, Tina Knowles.  In receiving this award, Beyoncé is essentially credited with being a game changer and a recognizable force in the music industry. Therefore, this is why I’ve included all three pieces (the intro video, to the performance and the acceptance speech) to support her worthiness as the award recipient.    

While Beyoncé has always been known for – and being awarded for her talent of taking her entertainment to imaginable heights, she continued this trend in her performance.  She uses the vocal introduction to explain the song’s meaning (done in many of her other hits), brings in fascinating dancers and difficult choreographed routines and THEN adds a touch of digital flair to take it over the top!   She uses computer imagery and replication to give the appearance of in-sync choreography between the two to wow the audience.

After watching the stirring performance, the use of digital imagery seems like undoubtedly the next step in on stage performances as we live in a computerized world.  Graphics and animation contribute to so much of our society, why wouldn’t it become a part of an entertainer’s repertoire. 

Receiving mixed reviews upon the song’s video release just less than a week ago, Beyoncé’s performance was a welcomed addition breathing in needed life to the song to go the distance of her previous single successes.[5] “Run the World”, an upbeat dance pop single, in my opinion will be viewed and promoted now more than before because hearing a vocal track with now hearing and SEEING it, now giving the audience a stimulating and memorable visual to rely on when listening in the future. 

May 25, 2011

The piece above was written 1 day before conducting an online resource check for more reference sources.  I was ASTONISHED when I then read the next night’s reviews that were like this:



In light of this, my title switches to:
 


“Beyoncé Steals Again!!”



Yet another drama arises behind Beyoncé “borrowing” from another artist’s work and making it a big hit (more reports are linked below).  The controversy has critics chastising her for copying the exact performance from Italian singer, Lorella Cuccarini’s Billboard Award performance at last year’s event.  As seen in in the pictures, the performances share an undeniable resemblance throughout.  24 hours later, Beyoncé releases an official response confirming that she was "inspired" when watching video of the original performance by Cuccarrini last year calling the concept “genius”. 

"My makeup artist showed me the performance of Lorella Cuccarini a year ago, and it inspired me so much," Beyoncé said Wednesday.  I then met with the talented people who worked on it. The technology and concept were so genius. Thank god for YouTube or I would have never been exposed to something so inspiring," she went on to tell AOL Music Wednesday. "I never worked so hard on anything in my life as that performance for the Billboard Awards."[7]

Which brings up the question of stealing versus flattery?  I would say if this happened once … then maybe critics would turn a head.  Twice audiences would think that maybe she DOES lack a bit of creativity but after claim after claim, Beyoncé, you appear to be a thief!!  Really, can’t you come up with your own concepts?  It also gives the impression of social fame making it easier to steal and make pop history off of other smaller artist’s works.  Not a good look for her in any light.  You be the judge. 

Links to claims of stolen music and concepts by Beyoncé:
·         Smack” to “Smash Into You
·         “If I Were a Boy 




[2] "Beyoncé". Grammy.com.
[3] Trust, Gary (2010-05-28). "Ask Billboard: Beyoncé Vs. Gaga Vs. Rihanna". Billboard. Nielsen Business Media, Inc.
[4] La Gorce, Tammy (2010-01-31)."Beyoncé's Golden Record". Grammy.com.